列宁格勒牛仔搭摩西
此片是《列宁格勒牛仔征美记》的续集,列宁格勒牛仔乐团收到了美国人的邀请去纽约演出,没有签证的他们在墨西哥海关闯关成功来到了美国,这是他们前任队长米卢出现了,他号称在沙漠里得到了上帝的拯救,已经洗心革面成为了像摩西一样的圣人,他许愿他们巡回演出后把他们带回故乡,因为家乡诞生了一头圣牛,为了庆祝,米卢决定盗走自由女神的鼻子作为献给圣牛的礼物,得逞后他们带着鼻子来到了法国、德国、捷克,一路上他们和CIA密探斗志斗勇,险象环生,而密探长时间和因为看了米卢送的圣经为之感化,成为了他们的一员,于是,这支并不高明的乐队为了这个神圣的梦想,一路卖唱,千辛万苦,终于回到了西伯利亚的家乡
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亨利·乔治·克鲁佐
麦兆辉
丽芬斯塔尔
弗朗西斯科波拉
黄霑
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清朝末年,城中百姓多数染上怪病。关心国家命运的禾苗希望张孝智助自己到水下地宫取得宝藏。但另有几方势力为了获得地宫宝藏展开了一场大乱斗。最终,众人发现所谓的宝藏根本子虚乌有。而导致盛京变成人间地狱的根源也非妖魔鬼怪,而是日本人人体试验的阴谋。 张孝智与禾苗、兄弟钱眼儿、弃暗投明的黑风双煞最终不计自身安危地准备解救盛京的危局……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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当一位孤独的真正犯罪迷遇到她最喜欢的播客主持人时,浪漫擦出了火花,但事情很快变得奇怪,因为他对她的迷恋变成了痴迷,而他最新的剧集似乎围绕着她最终的谋杀展开。
灵殇
亚历斯和莎玛是一对年轻恋人,他们于前往波斯尼亚与赫塞哥维纳中心时车子抛锚在森林里,他们决定向附近的村庄求援。路上,巴尔干战乱的穆斯林幸存者莎玛,开始怀疑有神秘力量追高清在跟着他们,而自信、快乐的年轻欧洲人亚历斯,试图让莎玛甩开这些胡思乱想;但莎玛紧握着她的穆斯林护身符「哈麦利亚」不放,导致神秘力量从森林里逐渐浮现…
我的同居小仙
电视剧里的修仙者夏琦无意中通过时空来到现代,偶遇女主楠楠心生爱意,在“情感大师易半仙“的帮助下展开了追求。可楠楠却对从广告片里过来的西方魔法师Emil“一见钟情”。在和情敌竞争的过程中,夏琦糗态百出。最终Emil走火入魔,夏琪为了保护自己心爱的女人与Emil展开了一场中西方的法术对决。